Megan Chalfant. Courtesy image.

Megan Chalfant. Courtesy image.

From Indiana to Juneau: Megan Chalfant

After Megan Chalfant graduated college, she moved from Indiana to Juneau to pursue art.

Juneau was on the map for her because as she grew up, she routinely visited the capital city to see extended family. While here, she took note of the art scene.

“There’s so much public art around and people really support local artists,” Chalfant said. “You see it in businesses; you see it in homes. I’ve always been really drawn to the aesthetic of the art here and this kind of blending of cultural influences and natural influences. People kind of coming from all over really appealed to me.”

Juneau was “fertile soil,” an opportune place to explore her art in a community of other artists and those who support them. One such opportunity came when she started working at Coppa, a local coffee shop. Marc Wheeler offered to display her work for one of the First Friday showings. While she normally draws and paints, she had also been experimenting with multi-media collage. Not only does she use found imagery and paper, but painting, drawing and printmaking for her collages.

“I love working with (multi-media collage) because when I feel like the piece needs something or I want to add something but it’s not working in one medium you can turn to another medium and find it there,” she said.

For her show on March’s First Friday, she created eight pieces, in which she explored her experience of moving to Juneau and her growth as an artist.

“I left a lot of things I loved back in Indiana. I knew I was coming to Juneau to discover a lot of things that I was certain that I would love just as much, but it was a big decision,” she said. “…It’s been wonderful but also challenging. I’m amazed and inspired by the people I’ve met here and some of the experiences I’ve had. I felt like I was growing so much and felt the need to process this and say (a) sort of thank you as well for the experiences I’ve had.”

Her show at Coppa can be seen through the month of March.

After Chalfant got a studio space here in town, the first time she had such a space since college, she found inspiration in Juneau’s scenery, community, and culture. It was a “pleasant affirmation” that art is something she’s really passionate about. Like anyone, she’s had her doubts and insecurities about her work.

“It hasn’t always been easy to motivate myself to make art. Sometimes I go to the studio and go ‘This is all terrible. What do I do? I want to throw everything away!’” Chalfant said.

A few months ago, she voiced this concern to her mother who shared a section of a book about the life of artist Georgia O’Keeffe, who has been recognized as the “Mother of American modernism.”

“As a living artist, she experienced a fair amount of success and notoriety. She said she felt like she was walking this line ‘Am I an artist or am I not?’ If she (felt) that way then you can kind of persevere through that doubt – what beautiful work can be created from that? That just really gave me encouragement and inspiration,” she said. “I don’t have to be certain 100 percent of the time to create work that I love … and share that with other people.”

One of the ways Chalfant shares is by teaching at the Canvas Community Art Studio and at the Color Wheel Arts community studio. She’s offered cookbook illustration, drawing with Sumi ink, and upcoming, a class on multi-media collage. In this class Chalfant will have participants develop an image with Sumi ink, watercolors and collage techniques, teaching them about composition, color dynamics, and focal point. It’ll take place on Saturday, March 24 and 31, 9 a.m.-noon. Costs $119 and this covers materials. Those interested should call Color Wheel Arts at (907) 209-7173 to register or learn more.

To see more of Chalfant’s work, go to:

• Clara Miller is the editor of the Capital City Weekly. She can be reached at

“Perseverance” oil painting by Megan Chalfant. Courtesy image.

“Perseverance” oil painting by Megan Chalfant. Courtesy image.

“Heart of Stone/Flesh” oil painting by Megan Chalfant. Courtesy image.

“Heart of Stone/Flesh” oil painting by Megan Chalfant. Courtesy image.

“The Faces” collage art by Megan Chalfant. Courtesy image.

“The Faces” collage art by Megan Chalfant. Courtesy image.

“Traveler” collage art by Megan Chalfant. Courtesy image.

“Traveler” collage art by Megan Chalfant. Courtesy image.

“We’ll Just Have to Wait and See” collage by Megan Chalfant. Courtesy image.

“We’ll Just Have to Wait and See” collage by Megan Chalfant. Courtesy image.

More in Neighbors

Jane Hale
Coming Out: Ch- ch- ch- ch- changes

It’s always a gamble, a risk, a chance. We should be stuttering.

This combination images includes a picture of Larry chopping ice for water in Brevig Mission 1972, a picture of Mark and Laura watching seal skin preparation 1972. A picture at Fish Camp in 1972. (Courtesy Photos / Laura Rorem)
Living & Growing: Beyond what we know

“You stupid white people, you have no business trying to come ashore… Continue reading

Courtesy Photo /  Gina Del Rosari
Living & Growing: To Jesus through Mary

I am a Roman Catholic, was born and raised in the Philippines… Continue reading

Gimme a Smile: AI is coming—oh wait, it’s already here

AI is on everyone’s radar these days. Artificial Intelligence — it can… Continue reading

By 1914 when this photo was taken, Juneau had developed into an established city. The Victorian era turreted Alaska Steam Laundry (built 1901) is seen on the left, while other buildings such as the Alaskan Hotel and Central Rooming House are on the right. The rooming house was reconstructed in the 1980s. It is now the Senate Mall. (Alaska State Library-P31-021).
Rooted in Community: Alaska Steam Laundry and the MacKinnon Family

Perhaps sharing the leading roles in Juneau High School’s 1915 theatrical play… Continue reading

Thank you letter or the week of May 14

“Thank you Alaska Federation of Natives for a legacy of leadership”

Klas Stolpe
Pure Sole: A remembrance of my mother

The aroma of lupine lingered in the air at my mother’s deathbed.

Most Read