Written and directed by Preston A Whitmore II, this is a home-for-the-holidays story in which the six grown children of a matriarch they all call Ma Dear (Loretta Devine) return to the nest for several days of intense family interaction.

The ensemble is large, including not only Ma Dear's offspring but also assorted significant others. Yet no one gets lost in the crowd. Whitmore has given each of them distinct personalities and remarkable emotional depth. Gathered under one roof in an upper-middle-class neighborhood in L.A., hanging out in the kitchen or seated around the dining room table passing plates for the holiday feast, the conversation is lively and the topics varied.

The boyfriend (Keith Robinson) of the youngest, prettiest sister (Lauren London) debates the merits of his alma mater, all-black Morehouse College, with the young woman's big sisters, both graduates of Ivy League schools.

The middle sister (Sharon Leal) gives vent to her irritation that her older sister (Regina King), a smart, outspoken woman, permits herself to be manipulated by her cad of a husband (Laz Alonso) who even demands that she cut his food for him at dinner.

The middle brother (Columbus Short), a Marine, struggles to work up the nerve to tell his mother he's seriously involved with a young white woman (Jessica Stroup). Over the years, Ma Dear has let him know interracial relationships are not to her liking.

The youngest brother (singer Chris Brown), has his own secret: He wants to be a singer. One of the picture's high points is when he takes the Otis Redding hit, "Try a Little Tenderness," and makes it wholly his own in an electrifying nightclub performance.

The eldest brother (Idris Elba) seethes with resentment at his mother's live-in boyfriend (Delroy Lindo), a dignified and loving man. His resentment stems from his conflicted feelings about his father, a musician like himself, who long ago abandoned his family to go on the road to make his music.